≡ Menu

That’s Gross: Summer Vacay Edition

When it comes to taking a vacation, the negatives can sometimes outweigh the positives. Spending time away from life’s daily obligations can be relaxing, for sure. But coming back to a huge pile of work? Not fun. Suddenly that week-long trip to the Cape doesn’t feel so relaxing, does it?

This doesn’t just happen to those of us who work insufferable office jobs. Broadway actors often see things go to shit when they take time off. Instead of missed deadlines and project delays, a vacation for a Broadway actor can directly impact the box office.

Take Evita, for example. Ricky Martin took an announced vacation last week, most likely to spend time with the handsome husband and beautiful children that we’re all pretending don’t exist. Understudy Max Von Essen, who regularly kicks ass in the show as Magaldi, stepped up to fill Martin’s shoes. But no matter how sexy Von Essen may be — or how much of a draw he is for us theater fans — he just doesn’t have the same box office power as Mr. La Vida Loca. This week, Evita fell out of the million dollar club, and saw its lowest capacity numbers to date. The show took in only $643,663 and 69% capacity – a far cry from the $1,191,200 gross and 80.3% capacity it had the week before. There’s no doubt in our minds the show will recover well this week, with Martin back in. Still, look for a similar drop when Martin takes his next vacation, August 5-11.

Porgy and Bess also saw lower sales and capacity when its star took a short leave — though this break wasn’t as relaxing as Martin’s. Tony-winner Audra McDonald announced on June 20 that she would be out of the show for two weeks recovering from a severe respiratory infection. In the week ending June 24, the grosses dropped from $655,364 to $529,027 (capacity dropped from 74.7% to 57.5%). The following week, they dropped further to $462,497 and 48.4% capacity –- Porgy and Bess’s lowest gross and capacity to date. With Audra back in the show on July 5, however, the show recovered. Grosses this week went up to $553,531 with a capacity to 62.4%.

While both shows did and will recover, you can imagine how those dips hurt a show’s bottom line, especially in the summer months when theatergoing is supposed to be up. But just like our bosses let us go on vacation, knowing that we work hard the rest of the year, shows can probably afford to take a loss if it means keeping their bankable stars healthy and happy. Though we wouldn’t be surprised if producers encouraged stars to take vacation in the slower months. How do you think Steve Kazee feels about the Bahamas in January?

Grosses are provided courtesy of The Broadway League. Click here to read this week’s complete list of grosses.

More from NineDaves and LovelyLinda can be found on their respective blogs.

{ 0 comments }

Weekend Agenda: I’m MELTING, Edition

And now it’s summer and we’re back in that place where nothing is happening in theater until September except Bring It On. Which is just not ideal place, you guys. We hope you read this in a shady spot. Because your electronic device will melt into a puddle if you don’t.

  • The Smash creative team continues the slow, steady separation from its prior commitments to poor taste and bad sense: Krysta Rodriguez will appear on the show next season, and Leslie Odom, Jr. is now a series regular.
  • Steven Soderbergh continues to pretend that a Magic Mike Broadway musical is a real thing that will really happen, and othat Channing Tatum will appear in it. Until we’re holding tickets in our hands and have fistfuls of dollar bills at the ready, we remain hopeful (or something…) but skeptical.
  • A Cats revival is so much more than that fucked up dream you had the other night after eating too much pepperoni pizza…
  • Patrick Page — Green Goblin for the ages, general class act, and Mr. Paige Davis-Page — is peacing out of Spider-Man: Turn Off the Dark. Why? He has a new gig. He’ll play another mustache-twirling bad guy in Cyrano de Bergerac in October. Well, we hope he has a mustache.
  • Rent will close at New World Stages on September 9 because it was kind of bad and not enough people wanted to see it.
  • Tony Winner John Lloyd Young returns to Jersey Boys for a limited engagement through September 30. Because it’s summer and no one has any better ideas.
  • Glee‘s Jenna Ushkowitz is wrtitng an inspirational book. As one does when one plays a supporting character in the waning seasons of an outrageously popular television program.
{ 0 comments }

We’ve all seen it. Your friends are in a terrible relationship that’s on the verge of ending, but rather than just breaking up, they decide to “take a break.” Then, after two weeks, someone pulls the plug and ends it.

That’s what it feels like when Broadway producers announce that “unless business improves” they’ll be forced to close their shows in just a few weeks on some arbitrary new date. Why pretend that anything with your f’ed up relationship is going to change? Just end it now.

If this season taught us anything, it’s that this tactic is, well, BS. Take Bonnie & ClydeGodspell, and Jesus Christ Superstar for example—they all pulled this same trick and still pulled the plug.

Bonnie & Clyde did it first. On December 8, Telecharge sent out e-mails to ticketholders stating that Bonnie & Clyde would close on December 30. Producers quickly responded, claiming that this wasn’t an official closing notice – they were just capping ticket sales at December 30 in order to stir up interest in the musical. So by cutting off any sort of advance, they were going to save their musical? It sounded like warped logic to us, and it was. The week ending 12/11/11, there was a slight increase in gross ($404,289 from $341,908), but a drop in capacity from 90.4% to 81.6%. The week ending 12/18/11, grosses dropped to $333,379 and capacity dropped to 63%. So it’s no wonder that on December 16, the producers officially announced a December 30 closing.

The folks behind Godspell were a little more candid. Lead producer Ken Davenport wrote on his blog on June 5 that Godspell would close on June 24 unless there was “a sizable uptick in sales” after the June 10 Tony performance. Neither the announcement nor the performance helped. In the week ending 6/10/12, Godspell saw a 5.7% drop in capacity (down to 45.8%) — and a gross of $156,437, an all-time low. Two days later, Davenport announced an official closing. And although the show’s capacity over the next two weeks would increase to 58.8%, it wasn’t enough to save the show.

And then there’s Jesus Christ Superstar. Producers of the Tony-nominated revival announced on June 19 that the musical would close on July 1 “unless business improves.” But then, after lackluster gains in the following week, producers officially confirmed the closing date with just eight performances left to go.  Jesus Christ Superstar was able to finish the week ending July 1 at 79.3% capacity, and $678,052 gross. That’s a 23.5% increase. A successful bump, but too little, too late.

The moral of the story? That “unless business improves” crap is a total waste of everyone’s time. Just come out and say it already. Because just like we’d tell our friends in that bad relationship—it’s not worth beating a dead horse.

Grosses are provided courtesy of The Broadway League. Click here to read this week’s complete list of grosses.

More from NineDaves and LovelyLinda can be found on their respective blogs.

{ 2 comments }

Occupy Broadway: 9 Musical Activists and Revolutionaries

1776

It’s America’s birthday, y’all! The best day of the year to celebrate history by getting drunk and blowing stuff up.  (Besides flag day, of course.)

While you honor this great nation by trying not to cause a forest fire with Roman Candles and downing Natty Ice, we’re going to honor her by putting together a little list of musical theater’s best and brightest political agitators.

The Bros from 1776 (1776)
John Adams, Benjamin Franklin, Thomas Jefferson and John Hancock—to name but a few—are not just any revolutionaries, yo. These homies are the reason we’re even celebrating July 4th to begin with, and thus, obviously deserve the first spot on the list. Especially Thomas Jefferson, who is our favorite because… he plays the violin? Oh! And also, because he wrote basically the most perfectly crafted literary syllogism/important piece of political prose ever. All while singing tunes like “But, Mr. Adams” and “The Egg.” Badassery all around, no?

Tracy Turnblad (Hairspray)
Tracy’s answer to the world’s basic inequalities is pretty simple: They can GTFO. Whether she’s subversively dancing the size-ism, racism, and lookism out of the universe, or single-handedly improving the self esteem of the human race, politics and social issues are no sweat for Tracy Turnblad. As they generally aren’t for people with fierce talent, a progressive mindset, and a supportive mom.

Fela Kuti (Fela!)
With an ant-colonial feminist activist for a mother Fela Kuti—whose birth name is so long we can’t even begin to type it–was basically born into activism. He is perhaps best known as a musician who pioneered Afrobeat music, which he used to agitate against the Nigerian government. Needless to say the government didn’t much like him, and began launching regular attacks on his commune/recording studio/nightclub/compound the Kalakuta Republic. Eventually the military would murder his mother and destroy the Kalakuta, and then blame an unknown soldier? Fela’s response? To deliver his mother’s coffin to the leader of the military, write some angry songs, marry twenty seven women, and incite riots with his bombastic performances. We don’t really understand the 27 wives part, but otherwise, color us impressed.

Elphaba (Wicked)
As if being 100% green wasn’t edgy and boundary pushing enough, Elphaba, or Elphie—the Wicked Witch of the West, to you—had to go and be a) naturally magical b) an animal rights supporter and c) totally unable to bear the Wizard’s corrupt government silently like a good little citizen of Oz. Elphie also follows her heart to defy gravity and fly on a broom/cherry picker while belting her face off, bags the handsome prince before turning him into a Scarecrow, and ultimately escapes death by slipping down a trap door instead of melting into a puddle like L Frank Baum always told us she did. We’re inspired. Aren’t you?

Che (Evita)
Though never referred to by name in the show, our Che—who may or may not be based on the real life revolutionary Che Guevara—dogs Santa Evita like a particularly sarcastic shadow, telling the audience all about how effed up her motivations are. We’re not sure if this is designed to motivate audiences into rioting, because… that seems a bit late in the game at this point, but… we do like that he sings beautiful songs while commenting on the political realities of the Peron regime in 1946 Argentina.  Also, we like that Che once earned Mandy Patinkin and Tony Award and currently takes the form of Ricky Martin, who runs around on stage looking suspiciously fit and fiery hot in a snug white Henley. Which is what all the hottest revolutionaries wear, don’t you know.

Sheila (Hair)
Her time might have been the sixties, but a hippie girl marching on Washington to protest the war? Sounds kind of… contemporary. Sheila –- and her friends –- would have fit right in with today’s Occupy movement. She’s smart, socially aware, and politically active. And in truly modern fashion, this powerful gal can undoubtedly do better than her loafer boyfriend…

Enjolras (Les Miserables)
Another political beast of a character that is basically never named in the libretto—sometimes, someone shouts his name exactly one time during the show, and no, it’s not in orgasmic ecstasy—Enjolras is the leader of Les Amis de l’ABC. He’s also beautiful, singularly dedicated to making political changes in France, and prepared to belt his face off while dying upside down on a barricade. Without ever having sex. Which is… kind of depressing, given his totally titillating commitment to freedom and handiness with fire arms. It’s okay though. Because he gets to sing the most rousing anthems in the whole damn show. And be played by every hot blonde actor we can even think of, from David Thaxton to Aaron Tveit, so his memory will always live on in our hearts.

Jack Kelly (Newsies)
The biggest challenge of life: Unionize some 12-year-olds. That’s no probs, though, if you’ve got glittering charisma, swagger for days, and can belt a G. When newspaper bigwig Joe Pulitzer tries to raise the price of papes to his New York newsboys, Jack is on it. He forms a union, organizes a strike, dances a little bit, gets a girlfriend, and emerges triumphant. All in a day’s (fair, regulated, safe) work.

Bobby Strong (Urinetown)
How serious is Bobby Strong about the right to pee for free? He gets himself killed for it. Before that, though, he even turns down a bunch of sweet cash and a cute girl. Clearly, the man means business when it comes to the freedom to do his business. Not like we’re surprised, though. Flag-waving Enjolras is his hero, after all. Sort of.

photo: MTIShowspace

{ 2 comments }

Guess who’s starring in Diner, the Barry Levinson/Sheryl Crow musical that’s opening in the fall? This adorable, big-singing, oversharing mo’fo…

mattdoyle

At his Joe’s Pub gig tonight, Matt Doyle talked about a “big project” he’s doing in the fall, and said that it would fit perfectly with the song he was about to sing. The song he was about to sing was Sheryl Crow’s “If It Makes You Happy.”

Difficult as it was to discern between Diner and the FOURTEEN OTHER SHERYL CROW MUSICALS that are opening on Broadway in the fall, we craftily figured out that he’s probably talking about Diner. And so did the New York Post a few weeks ago, only not really. Because they’re either utterly un-crafty or know nothing about musicals.

At any rate, we think this is damn exciting, because Matt is THE COMPLETE BEST.

And while we’re on this subject, can we talk for a hot second about how we’re super excited about Sheryl Crow doing Broadway things? We feel about her the way we felt about Billy Joe Armstrong: We have no idea why you’re here, but we think it’s really cool that you’re here!

Bring on the soulful, Steelers-Wheel-inspired pop songs. And Matt Doyle. But then, we’re always excited to bring on Matt Doyle.

{ 1 comment }

Weekend Agenda: It’s Too Darn Hot Edition

Sources say Broadway’s Benjamin Walker was in New York seeing some theater this week, and even checked out As You Like It in Central Park on Friday night. No wonder it’s been so goddamn hot!  While you dodge the Walker Heat Wave — perhaps at a screening or two of Magic Mike — here are some theatrical happenings to consider:

  • Shows that announced casting this week? Drood! Cinderella! Kinky Boots! And more! GTFO, 2011-2012 theater season, and don’t let the door hit you…
  • Playwright, consummate New Yorker, and all-around funny lady Nora Ephron passed away this week. Just a few days later, there was talk that her final play, Lucky Guy, is on its way to Broadway.
  • In case you somehow didn’t hear our caterwauling across the entire island of Manhattan—and indeed, this great nation—Andy Mientus joined the cast of Smash. He’ll be playing Jeremy Jordan’s best friend. That’s right. An Andy Mientus/Jeremy Jordan bromance is about to be a real thing, and not just the product of your fan-fiction addled brain. Smile file forever.
  • Don’t let the 100 degree temperatures fool you, June is the new January, and its taking half of Broadway with it. Godspell, Jesus Christ Superstar, Sister Act, Anything Goes and Memphis all announced their closing this month. Hope everybody’s excited to see Phantom this summer. Pretty sure that’s all that’s left.
  • Before you start scoffing at the idea of a jukebox musical called Motown, check out two of its key selling points: It’s written by Berry Gordy. It has nothing to do with those people who made Baby It’s You.
  • Viva Forever, the Spice Girls Musical is opening on the West End this coming December. That is a real thing. Zig-a-zig-AH!
  • Alec Baldwin will return to Broadway next spring in Lyle Kessler’s 1983 play Orphans. We don’t know much about Orphans, other than that Baldwin plays a kidnapped gangster, so we’re really just hoping we get to watch him punch people on stage.
  • More now on movies that really don’t need to be musicals: Some dramz is impacting the would-be musical version of the film Slumdog Millionaire. Turns out that the film’s composer, A.R. Rahman, won’t allow his Academy Award-winning song, “Jai Ho,” to be in the musical if Danny Boyle doesn’t direct. Boyle, who directed the film, is allegedly being sidestepped in favor of someone like Julian Fellowes, who’s never directed a damn thing for the stage, or Matthew Warchus, who already took a look at this cray cray situation and was like, Oh hell naw. It’s always fun to watch movie people navigate hostile theatrical waters, right?
  • If you’re obsessed with fast-talking Sutton Foster on fast-talking Bunheads, you should check out our recaps for Back Stage. They include some… um…. fast talking. As you might expect.
{ 0 comments }

Happy Friday, or, A Whole Bunch of Things About Aaron Tveit

Hi there, Aaron Tveit, hottie of all hotties. You’re back in the news this week. And damn are we glad to see it.

While we’re pleased to see your TV show Graceland—with fellow hottie Daniel Sunjata—got picked up by USA, we’re especially excited you’re starring as Dmitri in an upcoming reading of Anastasia. Mostly because our hearts forever want you at home on the New York stage, singing pretty songs.

In case you—or any of our dear readers, past and present—didn’t know it, we’re kind of in love with you. Below, links to several of our odes to your beautiful, big-singing self. You know, so you can study up on our true feelings. And realize that we’re totally fated to have a happily-ever-after ourselves. Just like Dmitri and Anastasia did in the movies.

{ 0 comments }


Bryce Ryness and Emily Padgett—Mazz and Paige—singing of their star-crossed love.

*

Oh hey, it’s our favorite thing: A musical based on a noir-ish, sort-of teen movie. The Heathers reading blew our minds in 2010 – and introduced us to the creature who would become the sparkling Broadway powerhouse known as Jeremy Jordan. But this year, the must-get-in-at-all-costs concert reading was for a new musical version of Pump Up the Volume, the 1990 film starring Christian Slater and Samantha Mathis.

It’s written by Jeff Thomson (music) and Jeremy Desmon (book/lyrics) and the concert was held at Joe’s Pub on Monday night. And it was wicked loud. As one would expect. And it’s about an obnoxious radio DJ who’s actually just a sensitive, put-upon, obviously adorable teenage boy. In short, we were so there.

The central roles were each played by a number of rotating actors, so there was no single leading man to swoon over. We did, however, get to swoon over a whole cavalcade of amazing folks, including Bryce Ryness, Claybourne Elder, Nancy Opel, Leslie Odom, Jr., Constantine Maroulis, Emily Padgett, and Craptacular fav of favs, Andrew Call. Who is now also using the middle initial C, which clearly stands for Cute. Samantha Mathis* herself even turned up to say a few words, and Louis Hobson was hanging around, just as a fun bonus.

Click here to check out more video from the Pump Up the Volume reading.

*It must be noted that Samantha Mathis has onscreen smooched with two important Christians – Bale and Slater. Respect due forever.

Credit: Shoshana Feinstein

{ 1 comment }

That’s Gross: Rock of Age$$$

Sure, this is a Broadway web site. But let’s begin this week’s discussion with a movie. Critics and audiences pretty much universally rejected the Rock of Ages film. Released June 15, the film’s been in movie theaters for two weeks and has only grossed about $23 million. With a $75 million production budget, it looks like Rock of Ages will be one of the biggest flops of the summer.

Here’s the interesting thing, though: the bad buzz around the movie hasn’t negatively affected the box office of the Broadway show. In fact, the film might have done it some good.

Rock of Ages has been playing to more than 90% capacity since February, 2012 (except for the week ending 4/22/12, where it dipped to 89% capacity). Granted, it’s playing the Helen Hayes Theater, which, at 583 seats, is Broadway’s smallest house. But those are still some seriously consistent numbers. In fact, Rock of Ages routinely falls in the top 5 shows on Broadway in terms of capacity percentage.

Since the film came out, the stage musical has only seen an increase in its capacity number. The week ending 6/17/12, the show was at 98.1% capacity, up 0.3% from the previous week. The week ending 6/24/12 saw a 99.1% capacity – up 0.7%. Tickets aren’t cheap either, which means people are still willing to pay top price to see a show that opened in 2009. The average ticket price last week? A whopping $109.58. Top ticket price? $248! That’s more than million-dollar-club mainstays Spider-Man: Turn off the Dark, Jersey Boys, Newsies, and The Lion King.

So how has Broadway’s Rock of Ages avoided the fallout from Hollywood’s Rock of Ages? Maybe it’s because the Broadway show has kept its distance. The film advertisements rarely mention the Broadway show, and the show itself hasn’t spent too much time making the connections to the film. The show that launched Jeremy Jordan’s career has also gotten some buzz from new cast members Justin Matthew Sargent, Genson Blimline, and the soon-to-be Mrs. Jeremy Jordan, Ashley Spencer. Plus, Rock of Ages has one of the most loyal fan-bases around -– a fact they openly tout in many of their ads.

But more than anything, Broadway’s Rock of Ages has remained a hit for, well, rocking. Unlike the watered-down film, the stage show is a total party. One might say it’s “nothin’ but a good time” (oof).

So, why do you think Rock of Ages continues to fill houses? Would you rather sit through the movie or the musical? Let us know in the comments.

More from NineDaves and LovelyLinda can be found on their respective blogs.

{ 5 comments }

Sub-headline: Okay, maybe not his Mom

Sub-sub-headline: SHUT UP ANDY MIENTUS IS FAMOUS.


So Andy Mientus is going to be on Smash. This is how we… um… reacted.

Lucky: OMG OMG ANDY IS ON SMASH.
Not official. HOLD ON.

It’s real.
OMG, come talk to me. SO EXCITED.

The Mick: ?
Lucky: SMASH. ANDY MIENTUS.
The Mick: WE SHOULD HAVE GUESSED
Lucky: I KNOW.
The Mick: Oh my god what if I cried right now
I could cry right now

FUCK HE WON’T BE PIPPIN

Lucky: OH NO!
HEARTBROKEN.
I guess he could do both?
I love that we’ve basically decided that it was going to be him in Pippin. I BET IT WAS GOING TO BE HIM.

HE’S PLAYING JEREMY JORDAN’S BEST FRIEND.

The Mick: OH MY GOD MY WHOLE PERSON IS GOING TO DIE
HOW WILL WE SURVIVE THIS
I WISH WE COULD RETWEET OURSELVES
Lucky: I’m laughing so hard right now.
The Mick: I’m laughing and crying a little
And tweetspasming
Lucky: I know, we have to stop.
OK, self control.
The Mick: I know. We’re stopping right now.
Lucky: I guess we’re the right people to be running this web site, because who the fuck even remotely cares about this…
The Mick: I know
It’s us and Andy’s mom
Lucky: I think this is so exciting for him.
Aileen: I KNOW
Lucky: It’s exciting FOR US, because that show will now be LESS AWFUL.

*

Alternate Reading:

Credit: Courtesy of Ashley Mas and Rob Intile, Jr.; Matthew Murphy

{ 1 comment }